Perhaps an obvious easter egg?

Schedule to be released February 2025.

1.T – Happy to be get going already. I mean – February, how awesome is this?

2.H – Put stick in gear, let’s go! Foot on the pedal. Things just swooshing by the window.

3.E – Over there, someting interesting. I wanna take a look. What is that even? Cool.

4.A – And this thing, has it been around forever, or what? Feels really mechanical.

5.L – Another of these mechanical things. What is this place?

6.B – Next stop on the journey, this is something really Area 51 style. Mysterious. Or perhaps legendary, like Atlantis?

7.U – Mood shift – this sounds a little exciting!

8.M – This is big and heavy. Yet gentle in a way. Or what do you say?

9.C – This is just here to spice things up a bit. Not like in Spice Girls, just, adding… flavour or whatever…

10.A – Returning to something a little mechanical. Gentle, yet powerful.

11.L – Twisting things up, going for modern, but keeping nostalgia. And pouring a good amount of energy and tention into the mix.

12.L – Ok, so this track really has a serious meaning and connection to reality. I wont goof around in this description. I have found myself at trainstations a lot lately. To welcome, or to say goodbye. And while it is awesome and happy, it is still hard to say goodbye. So, the first chord and the last chord, major and miner of the note. To express that both happiness and sadness can exist within the same space. And all supporting elements are just the same.

13.E – Go crazy on this one – was my initial intent. And I think I kind of nailed it, don’t you?

14.D – Let’s go deep with this, yeah? This is soul mining or soul diggin’.

15.T – Where could this possibly go after the other tracks? Well, apperently, somewhere. Because here is another track.

16.H – Can this even be seen as a conventional track? Well, duh – beauty is in the eye of the beholder, so, in this case, the track is in the ear of the listener. Right?

17.E – A little out of phase, the beat is. And in tune, it slowly arrives. The sweepings that is. This is yet another pi-track (3:14), and I do take p(r)ide doing them.

18.A – Low on mysteries, this one is. A track. #18 to be precise. A little minimalistic and very digital in its nature. But it is nurtured. Into a track. This track.

19.L – Ok, so let’s take the last few tracks of this album and make sure that the energy flows all the way to the end. This would be a good place to start the flow going and giving it the last there is.

20.B – Ok, so no, above statement does not seem to be true. Perhaps it is an age thing, I thought I had more energy in me, but this was more nostalgic and a little more – glad to be here-theme. And glad I am. I’ve come this far and now it is really time for the two last energy bursts.

21.U – Now we are talking, let’s get this party goin’! Confident that I will make it ’til the end. With the good mood intact.

22.M – So, last track of this album. A melancolic, yet happy ending. It’s been a pleasure as always. Just dig it. Thank you for being with me until the end of this album. The album called the album.

Enjoy!

^..^